As writing part 1 of the Musical Creativity And Expression article series, We have received a complete lot of e-mail from readers about one of the examples I reviewed (the idea of the story board). Lots of the viewers wanted me to visit into more detail of how this idea can be applied to songwriting. Free musically fans
With that in mind, here is a songwriting task that you can do.
For this composition, I strongly suggest to write an a key component piece of music (song with no words or singing). My reason for this is simple, most writers rely too greatly on the lyrics to these songs of the song to convey the thoughts, feelings, emotions, story, and so on. that will be communicated. Absolutely there is nothing incorrect with the lyrics to these songs telling the story, but I do believe is actually far more valuable when you can inform the same story with the music alone. When you add the song (if you add them at all), the ability and impact of the song will be much greater on the fan base. So let’s focus this experiment only on the music and not on the lyrics to these songs. You can always add lyrics later once you are done if you need to.
Select your matter. Find something that you want to express musically. You can choose nearly anything you want such as: a personal event, sense, thought etc. from your own life, or a story that you observed about or read about, or else you can create a fictional story, event, and many others. to use. The key is to be aware of just what it is that you will be expressing before you get started to even think about writing music. Exactly what the expressive goals? Why have you chosen this subject to express in music?
Record it. Once you have chosen your theme, write it down on paper in your own words in a few paragraphs. You will be returning this written explanation of your topic over and over again because you are writing the music, so keep this close by you if you are working. Illustrate (in writing) the occasions, feelings, thoughts, the individuals, places or things involved, and so on. Remember what your significant goals are?
Divide into sections. Divide story/topic into sections. The number of sections will change depending on many factors that are all based on your story. For most tracks, 3-8 sections are typical but more less are possible. The sections of your story/topic will determine the number of musical technology sections of your tune, so think about this carefully. Number each section.
The 7 basic elements of music. Make a couple of the 7 basic aspects of music. Then think about how precisely each musical aspect (rhythm, harmony, melody, texture, form, timbre, dynamics, ) can best be used to express your expressive goals (your story/topic) into music. Really think about each element, don’t just hurry through this step. Take note of your ideas about each about the same paper that you prepared in step 2.
Climax. Consider where the climatic points in your topic/story are. Which section is the key climatic point in? At specifically what point in that section is the climax located (beginning, middle, end. and so on. ) It may be a good idea so that you can compose the climatic point first even if really the middle or end of the story. In case you know where you are going, it’s going to a whole lot easier so that you can get there. In many stories, parts before the climax build up to the climax and parts after the ejaculation generally move away from it. In other words, what happens before the climax usually creates anxiety and what happens after the climax usually creates resolution of all the developed tension. Of course not all stories or music follow this routine, but often times it will. Write down your ideas about each on the same paper that you prepared in step 2.
Now that you’ve got all of this down on paper, you need to commence writing the actual music for your song/composition. As you are writing the backdrop music, go back to your original ideas that you wrote upon newspaper in steps 2-5. Is going to you be following your original ideas or have you begun to progress away from them when you are writing the music? It can common for me to sometimes get away from my original intentions once I am composing the music and get working on the piece for some time. Sometimes the result of changing the plans works out to be even better than the original, but sometimes it is a failure and My spouse and i return to the original principles and rework the music to better fit my intentions. For the goal of learning this way of writing music, My spouse and i encourage you to stay with your original plans for the time being no matter what. Following you feel much more comfortable with writing/expressing yourself this way then certainly you can advance out of this compositional style when it best suits your own needs.